TOKYO SUN

105 x 80 cm

Lambda print in acrylic stage

Edition of 3 plus AP, 2024

TOKYO SWIM

105 x 80 cm

Lambda print in acrylic stage

Edition of 3 plus AP, 2024

TOKYO RUN

105 x 80 cm

Lambda print in acrylic stage

Edition of 3 plus AP, 2024

TRANSLATION

130 x 86 cm

Lambda print under acrylic, pen

Edition of 3 plus AP, 2024

categoritcal imperative i + II

74 x 110 cm

Acrylic on matte fine art Paper

Edition of 3 plus AP, 2024

ARIA LOFT

105 x 80 cm

Acrylic on matte fine art Paper

Edition of 3 plus AP, 2024

Evening planing

80 x 53 cm

pen on Lambda print

Edition of 3 plus AP, 2024

LESS THAN ZERO

80 x 53 cm

pen on Lambda print

Edition of 3 plus AP, 2024

NEVER ALONE

157 x 112 cm

Acrylic on lambda print

Edition of 3 plus AP, 2024

I DON´T SEE ANY EXITS

157 x 80 cm

Acrylic on lambda print

Edition of 3 plus AP, 2024

DANCE UNTIL WE DROP

140 x 93 cm

Acrylic on lambda print

Edition of 3 plus AP, 2024

Glyphic Strke I + II + III

each 70 x 100 cm

Acrylic on matte fine art Paper

Edition of 3 plus AP, 2024

Even before II

185 x 120 cm

Lacquer on Lambda print under acrylic

Edition of 3 plus AP, 2024

Structures, Light, Substance, Urbanity, Dynamism, Liberty

Artist Duo
Stefanie Seif Tim Thiel
Peek into Blumay‘s journey through our chat with Art Talk Magazine before Foto Art Basel //June Issue, 2024

We first encountered Steffi and Tim’s work in March when we visited the Manoir de Lebioles, a beautiful hotel owned by friends in the heart of the Ardennes. Displayed here are 17 works that have their origins on a journey by the two artists through Iceland. Thematically, it is about the beauty of nature, the richness that this structure can offer and the relationship between the individual and nature. Photographs are the basis, enriched with various materials and techniques. We were thrilled and absolutely had to get to know this dynamic artist duo.

Art Talk Magazine: Good morning Stefanie and Tim! Thank you for sharing your time with us. You use the name Blumay to describe your artistic and creative duo. What are the origins of Blumay?

Stefanie & Tim: Our artist name, Blumay, holds profound personal significance, symbolizing the blending of our backgrounds. Both our mothers, born on the same day, experienced childhoods marked by fleeing and expulsion. By
combining their maiden names, we encapsulate resilience and creativity. Blumay thus embodies our shared heritage, representing the transformative power of creativity passed down through generations, influencing our independent
thinking.

ATM: Stefanie – you studied art and design, specializing in drawing. And you have always worked closely with photographers such as Gunther Sachs. Did this combination give you the idea for your artistic work on “BLUMAY: A Fusion of Photography, Painting and Drawing”?

Stefanie Seif: From the earliest moments of my childhood, I found myself drawn to the world through a visual lens. As I grew, so did my passion for visual expression. I found fulfillment in the act of creation, losing myself between imagination and reality. Through my commercial creative work, always complimented by art projects, I delved deep into the essence of photography, uncovering the profound impact and messages embedded within images, moments, and scenes. In the realm of commercial endeavors, I honed my ability to craft narratives and evoke specific responses through imagery. However, it was through my art projects that I truly liberated my creative mindset and spirit. In this symbiotic dance between commerce and artistry, I discovered the power of visual storytelling to provoke thought, stir emotions, and ignite change. I want to express myself through lines and colors and feel the power of a statement – in combination with and in addition to photography, we create works with Blumay that are based on photographs and are given a new narrative level through different materials, colors and shapes.

Levent vit. // LUna park est là. // L’amour court.

each 90 x 135 cm

Lacquer on Lambda print under acrylic

Edition of 3 plus AP, 2024

ATM: Tim – it’s true to say that you are one of the best-known commercial photographers in Germany. After school, you went straight to Paris to work for Peter Lindberg, amongst others. In the course of your career as a freelance photographer you have worked for all the well-known national and international luxury brands and you have won various awards, such as Art Director Club, Festival NY, Montreux, Cannes. What brought you to art and what would you have become if you had not pursued a career in photography?

Tim Thiel: There are 2 deep passions in my life: photography and working with horses. I have been in the saddle since I was 6 years old and I have also been taking photographs since I was a child. I attended photo lab courses as a teenager to delve deeper into photography and owned my first Nikon SLR camera. What has always fascinated me about art is the freedom of expression that it has given me. I was very successful in commercial photography very early on and that always distracted me somewhat from my art projects. In the commercial sector, on the other hand, my work was often perceived as too free and artistic. The courage to concentrate fully on this has grown steadily over the years. Since we launched our first exhibition in 2012 to great interest, we have continued to work intensively on Blumay.
A photograph always serves as a frozen moment, capturing light, emotion, and narrative within its frame. From this static image, we embark on a journey of interpretation and expression, utilizing various mediums to breathe new life into the captured moment. Painting, with its rich palette of colors and fluid strokes, adds another layer of complexity and interpretation to the original photograph. Ultimately, each artwork born from a photograph is a testament of our vision and our creative ingenuity.


ATM: Can you tell us something about the work series that you first exhibited at the Manoir in Belgium and which has found a permanent place there?


Blumay: Iceland offers a surreal landscape with Its volcanic terrain, jagged coastlines and is an endless inspiration for any keen-eyed photographer. We traveled across the lonely Highlands of Iceland on horseback to get to places
that can’t be reached on foot or by car. We worked closely together and create every photo, every moment of our work together: as Blumay we travel to certain places and very consciously choose the locations and motifs, including the perspective and the impression we want to capture. Iceland was our momentum to bring Blumay to the outside world and the works that now hang in Manoir des Lebioles were created. A series of 23 works in which we have intensified photographs with drawings, color and different materials, added further layers or finalized them as an installation. The works are about the Highlands of Iceland, the mysticism, the structures of the local nature, the horses, the moments. Our work as an art duo reflects our joint creative work on site – our editing afterwards tells the story to the end.

DOWNHILL

145 x 145 cm

Ink and lacquer on Lambda print under Acrylic

Edition of 3 plus AP, 2024

STAGE

214 x 112,5 cm

Fine art print lacquer

Edition of 3 plus AP, 2024

ATM: How do you create the works? The basis is always a photograph, which is then edited and transformed using various techniques. What is the artistic division between you?


Blumay: We have been working together for over 20 years, hand in hand and with four eyes. We talk and discuss the topics that concern us and that are important to us: Freedom, the way our society should work and the importance of aesthetics. The basis is always the photo, and we add something to it by reworking it. The way we work is inspired by the situation and the respective motif and, of course, things that engage and inspire us are reflected in the works – music, films, everyday life situations, dialogues.


ATM: Which works will you be showing in Basel? What inspired you for this series and when were they created?

Blumay: We think a lot about the topic of freedom. After focussing on nature in Iceland, we have now turned our attention to urbanity. Is there freedom in the urban jungle? How lonely are people in big cities, how freely can they move around in different contexts and countries? The architecture and urban structures inspired us to create the materials. (…)